{"id":223,"date":"2025-07-16T05:31:10","date_gmt":"2025-07-16T04:31:10","guid":{"rendered":"https:\/\/idiff.net\/?p=223"},"modified":"2025-07-19T18:29:36","modified_gmt":"2025-07-19T17:29:36","slug":"result-april-2025-july-2025","status":"publish","type":"post","link":"https:\/\/idiff.net\/index.php\/2025\/07\/16\/result-april-2025-july-2025\/","title":{"rendered":"RESULT APRIL 2025 &#8211; JULY 2025"},"content":{"rendered":"\n<p class=\"has-foreground-color has-text-color has-gigantic-font-size\"><strong>AWARD WINNER<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>UNRAVELLED (Trailer) &#8211; Best Trailer\/Teaser &#8211; Brett Bower<\/li>\n\n\n\n<li>Neverland &#8211; Best Women&#8217;s Film &#8211; Suneeta Misra<\/li>\n\n\n\n<li>Ghosted MD &#8211; Best Television Pilot Program or Series &#8211; Jarett Bellucci<\/li>\n\n\n\n<li>Mary Chris Max &#8211; Best Actress &#8211; Tatiana Sokolova<\/li>\n\n\n\n<li>Smoldering-Smoldering &#8211; Best Music Video &#8211; Ilya Noyabrev<\/li>\n\n\n\n<li>The Last Wish &#8211; Best Short Film &#8211; Ilya Noyabrev<\/li>\n\n\n\n<li>The INsiders &#8211; Best Educational Film &#8211; Marion Battaglia<\/li>\n\n\n\n<li>End of the Day &#8211; Best Feature Film &#8211; Nobin Kurian, Bibin Puthetthu<\/li>\n\n\n\n<li>Forbidden Love &#8211; Best Feature Script &#8211; Timothy Shrikrishnan Lott<\/li>\n\n\n\n<li>Nature\u2019s Bandage &#8211; Best Indian Documentary &#8211; Sajeed Naduthody<\/li>\n\n\n\n<li>SACREBLEU &#8211; Chapter 1 &#8211; Best Film on Nature &#8211; Clement Oberto<\/li>\n\n\n\n<li>Sand &#8211; Best Short Film &#8211; Stella Degli-Kassis<\/li>\n\n\n\n<li>Biryanee &#8211; Life&#8217;s Unpredictable Spices &#8211; Best Debut Filmmaker &#8211; Prafulla Kharkar<\/li>\n\n\n\n<li>Transference &#8211; Best Director &#8211; Zeph E Daniel<\/li>\n\n\n\n<li>ANYTHING FOR HER &#8211; Best International Short Film &#8211; GERARDO GOUVERNEUR<\/li>\n\n\n\n<li>Flashes of Light &#8211; Best International Short Film &#8211; Mattia Paone<\/li>\n\n\n\n<li>Normas para una p\u00e1gina de sucesos &#8211; Best Foreign Language Feature Film &#8211; Jos\u00e9 Ortu\u00f1o<\/li>\n\n\n\n<li>For Rent &#8211; Best Horror Film &#8211; Alejandro Mill\u00e1n<\/li>\n\n\n\n<li>LORD&#8217;S SIGNAL &#8211; BEST INDIAN SHORT FILM &#8211; DHRUV PANDAV, CHARANPAL SINGH<\/li>\n\n\n\n<li>&#8220;Chota Bheem&#8221; The Snared King of Bandhavgadh &#8211; Best Film on Nature &#8211; Anshuman Sharma<\/li>\n\n\n\n<li>Badgumaan &#8211; Best Debut Filmmaker &#8211; Yug Yadav<\/li>\n<\/ol>\n\n\n\n<p class=\"has-foreground-color has-text-color has-gigantic-font-size\"><strong>OFFICIAL SELECTION<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Kumaran &#8211; Rajesh KR Radhakrishnan<\/li>\n\n\n\n<li>The funeral of Kwade. &#8211; Nana Obiri-Yeboah Obiri-Yeboah<\/li>\n\n\n\n<li>District 8 &#8211; Andrey Kovalev<\/li>\n\n\n\n<li>Embers &#8211; wesley crutcher, javon Everett, Tionnedre tribble<\/li>\n\n\n\n<li>CONFESSION &#8211; Brett Bower<\/li>\n\n\n\n<li>UNRAVELLED (Script) &#8211; Brett Bower<\/li>\n\n\n\n<li>Night has come &#8211; Paolo Tizon<\/li>\n\n\n\n<li>In Praise of the Artisan &#8211; Yasin Salazar<\/li>\n\n\n\n<li>Rattlesnake Point &#8211; Alberto Diamante<\/li>\n\n\n\n<li>Ch\u0153urs Atlantiques &#8211; Safoi Babana-Hampton<\/li>\n\n\n\n<li>My Favourite Place on Earth &#8211; Veronika Amelkevich<\/li>\n\n\n\n<li>Until the last minute &#8211; Ilya Noyabrev<\/li>\n\n\n\n<li>Sky-Sky &#8211; Ilya Noyabrev<\/li>\n\n\n\n<li>Impossible Script\/Music &#8211; Innocent Bidong<\/li>\n\n\n\n<li>Spiritual Battle &#8211; Nugzar Suaridze<\/li>\n\n\n\n<li>Metropolis 1927 &#8211; 2025 &#8211; Fritz Lang<\/li>\n\n\n\n<li>Card Game &#8211; Isaac Middleton<\/li>\n\n\n\n<li>Much Ado About Family Affairs &#8211; Olivia F Green<\/li>\n\n\n\n<li>Uncommon Grounds &#8211; Joseph Anthony Francis<\/li>\n\n\n\n<li>Amor Incierto &#8211; David Martos Korvo, Jonatan Martos Korvo<\/li>\n\n\n\n<li>SCARY ROAD &#8211; JOHN HO YOUNG SONG<\/li>\n\n\n\n<li>Eyes Of The Forgotten &#8211; Khaled M Askar<\/li>\n\n\n\n<li>THE MAKER: A JOURNEY OF BISHT &#8211; Abdulrahman Al-mana<\/li>\n\n\n\n<li>The Hitmen &#8211; Anthony N Galizia Sr<\/li>\n\n\n\n<li>LGBT LOVE &#8211; Febe CHU<\/li>\n\n\n\n<li>$TACK$ &#8211; Gerald Webb<\/li>\n\n\n\n<li>Akababuru: Expression of astonishment &#8211; Irati Dojura Landa Yagar\u00ed<\/li>\n\n\n\n<li>Adam &#8211; Fadi Azra<\/li>\n\n\n\n<li>The Imam &#8211; Saba Mumtaz<\/li>\n\n\n\n<li>Bo and Trash &#8211; Tatiana Skorlupkina<\/li>\n\n\n\n<li>Only Girls &#8211; Kiko Prada<\/li>\n\n\n\n<li>The Exact Coordinates &#8211; Alejandro Mill\u00e1n<\/li>\n\n\n\n<li>Mahamahim Didiji Murmu &#8211; pumposh kamalakant mishra<\/li>\n\n\n\n<li>Chinese Whispers &#8211; Deborah Hadfield<\/li>\n\n\n\n<li>Homecoming Shenanigans &#8211; Sanelle Sibanda<\/li>\n\n\n\n<li>Cul De Sac &#8211; Vivek Elangovan<\/li>\n\n\n\n<li>A Stage In A Journey &#8211; Charan Parimi<\/li>\n\n\n\n<li>Love on Mars &#8211; RK Israel Tamang<\/li>\n\n\n\n<li>Into Reality &#8211; Matt Gorman<\/li>\n\n\n\n<li>Echoes of Ashes &#8211; Sanket Verma<\/li>\n\n\n\n<li>Holy Journey &#8211; jason hioe<\/li>\n\n\n\n<li>Second Chance &#8211; India Anne Mitchell<\/li>\n\n\n\n<li>My Love Flows Like a Song &#8211; tian Xiao Fan<\/li>\n\n\n\n<li>The Last Heir &#8211; ettore zito<\/li>\n\n\n\n<li>Altrove &#8211; Elsewhere &#8211; ettore zito<\/li>\n\n\n\n<li>Ourselves &#8211; Pablo Gasca Goll\u00e1s<\/li>\n\n\n\n<li>\u201cMUFFIN CLUB\u201d &#8211; Charles Petrilla<\/li>\n<\/ol>\n\n\n\n<p class=\"has-foreground-color has-text-color has-gigantic-font-size\"><strong>Honourable Mention<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Till the last man standing. &#8211; Shenandoah Pictures Chicago<\/li>\n\n\n\n<li>Mix. &#8211; Kostiantyn Mishchenko<\/li>\n\n\n\n<li>Arthur VS Aliens &#8211; Danny Klapadoras, Anthony N. Galizia Sr<\/li>\n\n\n\n<li>MYSTERIOUS PLACES with SALVATORE MICHAEL TRENTO &#8211; Mysti Smith<\/li>\n\n\n\n<li>Starborn &#8211; Starry Venus<\/li>\n\n\n\n<li>Viv + Eddie &#8211; Andi Watson<\/li>\n\n\n\n<li>The Girl Under The Palm Tree &#8211; Bee Seavers<\/li>\n\n\n\n<li>BLOOD &amp; BETRAYAL &#8211; Joseph Anthony Francis<\/li>\n\n\n\n<li>Tricorder.Zero\u2122 Online Ad &#8211; Marcus C.B. Soori<\/li>\n\n\n\n<li>Safe The Revelation &#8211; Sanelle Sibanda<\/li>\n\n\n\n<li>My travel guide. Web-serial. 1 &#8211; Kostiantyn Mishchenko<\/li>\n\n\n\n<li>Modern Frankenstein &#8211; Gabriel Jeanne<\/li>\n\n\n\n<li>Flow &#8211; Polo jose<\/li>\n\n\n\n<li>VOID.exe &#8211; Kostiantyn Mishchenko<\/li>\n\n\n\n<li>Tita, always Tita. &#8211; Gustavo Briand<\/li>\n\n\n\n<li>The Boy Who Dreamed Ball and Crafted Dreams. &#8211; Myrna de F\u00e1tima Gontijo Neiva, Ricardo Edilberto Pereira<\/li>\n\n\n\n<li>The Adventures of an Unstable Librarian &#8211; Reed Nelson<\/li>\n\n\n\n<li>L i OVE &#8211; Sergey Hamilton<\/li>\n\n\n\n<li>Safe The Revelation &#8211; Sanelle Sibanda<\/li>\n\n\n\n<li>Dancetronica &#8211; Horst Tran<\/li>\n\n\n\n<li>Two Prayers &#8211; Ulrica de la Mar<\/li>\n\n\n\n<li>My Provenance &#8211; Daniel Richard Stevens<\/li>\n\n\n\n<li>DOLOMITES | The Place Where It All Began &#8211; GUILLERMO GARCIA CASTELL<\/li>\n\n\n\n<li>AwesomeMan: Man of Chromium &#8211; Asher Lopez<\/li>\n\n\n\n<li>Into Reality &#8211; Matt Gorman<\/li>\n\n\n\n<li>MYSTERIOUS PLACES with SALVATORE MICHAEL TRENTO &#8211; SALVATORE TRENTO<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>AWARD WINNER OFFICIAL SELECTION Honourable Mention<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-223","post","type-post","status-publish","format-standard","hentry","category-result"],"_links":{"self":[{"href":"https:\/\/idiff.net\/index.php\/wp-json\/wp\/v2\/posts\/223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idiff.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idiff.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idiff.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/idiff.net\/index.php\/wp-json\/wp\/v2\/comments?post=223"}],"version-history":[{"count":3,"href":"https:\/\/idiff.net\/index.php\/wp-json\/wp\/v2\/posts\/223\/revisions"}],"predecessor-version":[{"id":228,"href":"https:\/\/idiff.net\/index.php\/wp-json\/wp\/v2\/posts\/223\/revisions\/228"}],"wp:attachment":[{"href":"https:\/\/idiff.net\/index.php\/wp-json\/wp\/v2\/media?parent=223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idiff.net\/index.php\/wp-json\/wp\/v2\/categories?post=223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idiff.net\/index.php\/wp-json\/wp\/v2\/tags?post=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}